DESCRIPCIÓN E INTERPRETACIÓN EN LOS ARTÍCULOS SOBRE PINTURA DE GABRIEL FERRATER.
Gabriel Ferrater wrote several texts on art, mainly on painting, during the 1950s. Some were published in the Barcelona magazine Laye, others were part of a history of Spanish painting that was never published, and others are catalog texts or book reviews. Ferrater's ideal was to exercise scientific...
| Publicado en: | Revista Chilena de Literatura Vol. 112; pp. 175 - 205 |
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| Formato: | Artículo |
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Universidad de Chile
Nov2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=193918623&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 193918623 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00487651 2BN jtl: Revista Chilena de Literatura issn: 00487651 maglogo: N pubinfo: dt: Nov2025 vid: 112 pid: 30789 pub: Universidad de Chile artinfo: ui: 193918623 ppf: 175 ppct: 30 formats: fmt: @attributes: type: P size: 4.8MB tig: atl: DESCRIPCIÓN E INTERPRETACIÓN EN LOS ARTÍCULOS SOBRE PINTURA DE GABRIEL FERRATER. aug: au: Malé-Pegueroles, Jordi affil: Universitat de Lleida Lleida, España su: Art criticism Painting Art history 20th century painting Art theory sug: subj: Art criticism Painting Art history 20th century painting Art theory keyword: art criticism description interpretation painting crítica de arte descripción Gabriel Ferrater interpretación pintura ab: Gabriel Ferrater wrote several texts on art, mainly on painting, during the 1950s. Some were published in the Barcelona magazine Laye, others were part of a history of Spanish painting that was never published, and others are catalog texts or book reviews. Ferrater's ideal was to exercise scientific and objective art criticism. But to comment on works of art, he had to find a technical language to describe them, which contrasted with his poetic temperament. And although he was more interested in the form than in the content of the paintings, he also sometimes interpreted them. These ambivalent attitudes are the subject of this paper. Gabriel Ferrater escribió diversos textos sobre arte, principalmente sobre pintura, durante los años cincuenta del siglo XX. Algunos se publicaron en la revista barcelonesa Laye, otros formaban parte de una historia de la pintura española que no llegó a editarse, y varios corresponden a textos de catálogos o reseñas de libros. El ideal de Ferrater era ejercer una crítica de arte que fuese científica y objetiva. Pero para comentar las obras de arte, tenía que encontrar un lenguaje técnico para describirlas, que contrastaba con su temperamento poético. Y aunque le interesaba más la forma que el contenido de las pinturas, a veces también las interpretaba. Estas actitudes ambivalentes son el objeto del presente artículo. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Revista Chilena de Literatura is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Revista Chilena de Literatura holder: Universidad de Chile, Facultad de Filosofia y Humanidades dt: @attributes: year: 2025 holdings: @attributes: islocal: N |
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