Forging Movement: The Strigil in Athenian Vase Painting Iconography.
The transition from the black to the red-figure technique during the last quarter of the sixth century BCE is bound up with a radical change in the depiction of the human body. Suddenly we begin to see foreshortening, three quarter views, a variety of poses and postures, and a more vivid and realist...
| Publicado en: | Scripta Classica Israelica Vol. 44; pp. 73 - 92 |
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| Formato: | Artículo |
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Israeli Society for the Promotion of Classical Studies
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |