Toward a Theory of Cinematic Detachment; or, The Beauty of John Coltrane.
This study offers a sustained engagement with Amiri Baraka's liner notes for the album Live at Birdland (1964) by John Coltrane. In doing so, it aims to demonstrate how Baraka's encounter with the track "Alabama" enacts a uniquely cinematic form of detachment that refuses the regulatory given of rac...
| Publicado en: | Liquid Blackness: Journal of Aesthetics & Black Studies Vol. 10; no. 1; pp. 72 - 90 |
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| Formato: | Artículo |
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Duke University Press
Apr2026
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| Acceso en línea: | Ver este registro en EBSCOhost |