La evocación de los perfumes en el Cantar de los Cantares.

The Song of Songs is the last of the five poetic and wisdom books of the Old Testament, according to the version of the Seventy. Perhaps due to its originality, gave rise to varied interpretations that were based on both the literal reading and the allegorical reading. Specifically, his vocabulary o...

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Publicado en:Scripta Mediaevalia Vol. 19; no. 1; pp. 63 - 79
Autor principal: Martínez, Adriana
Formato: Artículo
Publicado: Universidad Nacional de Cuyo 2026
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: La evocación de los perfumes en el Cantar de los Cantares.
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        au: Martínez, Adriana
        affil: Universidad de Buenos Aires, Argentina.
      su:
        Olfactory perception
        Bible. Song of Solomon
        Hebrew language
        Food aroma
        Poetry (Literary form)
        Lexicology
        Semantic networks (Information theory)
        Figures of speech
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        subj:
          Olfactory perception
          Bible. Song of Solomon
          Hebrew language
          Food aroma
          Poetry (Literary form)
          Lexicology
          Semantic networks (Information theory)
          Figures of speech
      keyword:
        Medieval
        olfactory metaphors
        Song of songs
        vegetak language
        visual images
        Cantar de los Cantares
        imágenes visivas
        lenguaje vegetal
        Medioevo
        metáforas olfativas
      ab:
        The Song of Songs is the last of the five poetic and wisdom books of the Old Testament, according to the version of the Seventy. Perhaps due to its originality, gave rise to varied interpretations that were based on both the literal reading and the allegorical reading. Specifically, his vocabulary of terms and expresssions from the plant world and his metaphors that recreate the senses, especially the olfactory sense, evoke a universe of aromas. Thus, we propose to trace in the poem the lexical and semantic networks of the plant language that crosses it and the ruptures or continuities that are reflected in the iconic plane.
        El Cantar de los Cantares es el último de los cinco libros poéticos y sapienciales del Antiguo Testamento, según la versión de los Setenta. Quizás por su originalidad en la temática y en el lenguaje, suscitó variadas interpretaciones que se apoyaron tanto en la lectura literal como en la lectura alegórica. Puntualmente, su vocabulario de términos y expresiones del mundo vegetal y sus metáforas que recrean los sentidos, en especial el olfativo, evocan un universo de aromas. Así pues, nos proponemos rastrear en el poema las redes léxicas y semánticas del lenguaje vegetal que lo atraviesa y las rupturas o continuidades que se plasman en el plano icónico.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Spanish
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