Death with laughter: the subject of the unconscious in Martin McDonagh's Hangmen.
This paper provides a discussion of Lacanian subjectivity and desire in Martin McDonagh's Hangmen. While it might seem an attempt to argue against capital punishment, as many critics have indicated, the play has unconscious undertones that reveal certain facts about the subject's deepest motives. Mc...
| Publicado en: | Studies in Theatre & Performance Vol. 46; no. 2; pp. 253 - 264 |
|---|---|
| Autor principal: | |
| Formato: | Literary Criticism |
| Publicado: |
Taylor & Francis Ltd
Jun2026
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |