A Discussion of Body as Estuary: Mixed Being, Being Mixed: The Ignition of Change: Writing as a Revolutionary Means to Rebel Against the Colonialist's Appropriation of a Subject of Study.

In this article I discuss Sal Daña's Kirin Award-winning paper, "Body as Estuary: Mixed Being, Being Mixed" (this issue). The scope of my discussion focuses on writing in and of itself as a decolonial and revolutionary act. In doing so I use the writer's narrative as well as their metaphor of the es...

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Publicado en:Studies in Gender & Sexuality Vol. 27; no. 2; pp. 77 - 82
Autor principal: Recarte, Andrea
Formato: Artículo
Publicado: Taylor & Francis Ltd Apr-Jun2026
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Recarte, Andrea
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        Social change
        Authors
        Power (Social sciences)
        Colonies
        Postcolonial literature
        Narration
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          Social change
          Authors
          Power (Social sciences)
          Colonies
          Independent Artists, Writers, and Performers
          Independent writers and authors
          Postcolonial literature
          Narration
      ab: In this article I discuss Sal Daña's Kirin Award-winning paper, "Body as Estuary: Mixed Being, Being Mixed" (this issue). The scope of my discussion focuses on writing in and of itself as a decolonial and revolutionary act. In doing so I use the writer's narrative as well as their metaphor of the estuary to highlight the power of writing toward sociopolitical change from an experience-near and process-driven perspective, bringing together the remarkability of the paper's writing style, with its healing potential and agentic dimension.
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