Response to the Comments of Casabianca et al. (2025).

The response to the comments of Casabianca et al. (2025) aims to clarify interpretive misconceptions and reaffirm the methodological coherence of the study Image Formation on the Holy Shroud—A Digital 3D Approach. The presented criticisms disregard the declared scope of the research, which is strict...

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Published in:Archaeometry Vol. 68; no. 4; pp. 864 - 867
Main Author: Moraes, Cicero
Format: Article
Published: Wiley-Blackwell Aug2026
Subjects:
Online Access:View this record in EBSCOhost
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        au: Moraes, Cicero
        affil: Arc‐Team Brazil, Sinop, Brazil
      su:
        Deformation of surfaces
        Digital image processing
        Open scholarship
        Interpretation (Philosophy)
        Research integrity
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          Deformation of surfaces
          Digital image processing
          Open scholarship
          Interpretation (Philosophy)
          Research integrity
      keyword:
        3D image
        bas‐relief
        digital reconstruction
        medieval Christian art
        scientific methodology
        shroud of Turin
      ab: The response to the comments of Casabianca et al. (2025) aims to clarify interpretive misconceptions and reaffirm the methodological coherence of the study Image Formation on the Holy Shroud—A Digital 3D Approach. The presented criticisms disregard the declared scope of the research, which is strictly methodological in nature, focused on evaluating morphological deformation in the projection of the body onto fabric. The exclusive use of the frontal region, the choice of visual sources, and the historical contextualization based on tomb effigies are consistent with the proposed objective and find precedent studies. The response emphasizes the transparency of the data, the replicability of the experiment, and the legitimacy of the adopted scientific approach, refuting the allegations of conceptual or historical flaws.
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