Dismantling Descartes’ Cogito: Samuel Beckett’s Subversion of the Cartesian Subject in Endgame.
This article examines Samuel Beckett’s Endgame as a profound theatrical subversion of the Cartesian model of subjectivity epitomized by the dictum cogito ergo sum. In a post-apocalyptic world where time has stalled, language has decayed, and relational structures have calcified into rituals of depen...
| Publicado en: | Journal of Literature & Humanities / Edebiyat ve Beşeri Bilimler Dergisi no. 77; pp. 164 - 174 |
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| Formato: | Artículo |
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Ataturk University Coordinatorship of Scientific Journals
Jun2026
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| Acceso en línea: | Ver este registro en EBSCOhost |