The Drowned Buddha: Buddhism, Ecology, and Mythopoeic Science in Kim Stanley Robinson's Science in the Capital Trilogy.

This article examines how Buddhism is mobilized in Kim Stanley Robinson's Science in the Capital trilogy as both a critique of scientific hyperrationality and a resource for ecological ethics. Drawing on the Dalai Lama's "secular ethics" and the seventeenth Karmapa's "path of environmental Buddhism,...

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Publicado en:Zygon: Journal of Religion & Science Vol. 61; no. 2; pp. 397 - 421
Autor principal: Isevski, Jovana
Formato: Artículo
Publicado: Open Library of Humanities Jun2026
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Drowned Buddha: Buddhism, Ecology, and Mythopoeic Science in Kim Stanley Robinson's Science in the Capital Trilogy.
      aug:
        au: Isevski, Jovana
        affil: PhD candidate in English, University of California, Riverside, CA, USA
      su:
        Buddhism
        Environmental ethics
        Human ecology
        American exceptionalism
        Robinson, Kim Stanley, 1952-
        Science fiction
        Buddhist philosophy
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        subj:
          Buddhism
          Environmental ethics
          Human ecology
          American exceptionalism
          Robinson, Kim Stanley, 1952-
          Science fiction
          Buddhist philosophy
      ab: This article examines how Buddhism is mobilized in Kim Stanley Robinson's Science in the Capital trilogy as both a critique of scientific hyperrationality and a resource for ecological ethics. Drawing on the Dalai Lama's "secular ethics" and the seventeenth Karmapa's "path of environmental Buddhism," Robinson invokes Buddhist concepts of emptiness (śūnyatā), interdependence (pratītyasamutpāda), and compassion (karuṇā) to resist what Lisa Sideris terms "mythopoeic science," the sacralization of scientific narratives as redemptive cosmologies. However, his engagement with Buddhism remains selective: traditions are taken up insofar as they reinforce his vision of a reconfigured science, while those less compatible with Western rationalism are set aside. The result is a portrayal of Buddhism that simultaneously critiques scientism and reinscribes American exceptionalism, whiteness, and technocratic authority. Situating Robinson within the broader history of Buddhist modernism and its American reception, the article argues that his trilogy illuminates both the possibilities and limitations of Buddhism's role in shaping ecological thought in the United States.
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    language: English
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