Sound Body: The Ghost of a Program.
The author considers the importance of the voice as a transformative instrument in 20th-century art, particularly in relation to the tape recorder and digital audio technology. He examines his collaborative work with sound poet Bob Cobbing in the 1970s and compares this with a recent gallery install...
| Publicado en: | Leonardo Music Journal Vol. 15; no. 1; pp. 28 - 36 |
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| Formato: | Artículo |
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MIT Press
Dec2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=19533019&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 19533019 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2005 vid: 15 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 19533019 10.1162/lmj.2005.15.1.28 ppf: 28 ppct: 8 formats: fmt: @attributes: type: P size: 876KB tig: atl: Sound Body: The Ghost of a Program. aug: au: Toop, David su: Human voice Art & technology Magnetic recorders & recording Digital audio Cobbing, Bob sug: subj: Human voice Art & technology Magnetic recorders & recording Digital audio Cobbing, Bob ab: The author considers the importance of the voice as a transformative instrument in 20th-century art, particularly in relation to the tape recorder and digital audio technology. He examines his collaborative work with sound poet Bob Cobbing in the 1970s and compares this with a recent gallery installation created with artist John Latham. Research from the 1970s into acoustic voice masking and resonance is contrasted with the use of analog tape processing and the sonic potential of computer audio software programs both in studio work and in improvised performance. Finally, the author discusses the implications of these confrontations between body and machine. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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