Othello the "Moor" and Rãzvan the "Gypsy" or Human Condition as Hybris.
This article offers a comparative reading of William Shakespeare’s Othello and Bogdan Petriceicu Hasdeu’s Răzvan and Vidra, focusing on the tragic trajectories of two marginalized figures whose exceptional merit propels them into positions of centrality within exclusionary social systems. While crit...
| Published in: | Caietele Echinox Vol. 50; pp. 120 - 130 |
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| Format: | Article |
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Echinox Cultural Foundation
2026
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=195382912&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 195382912 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 1582960X 90EZ jtl: Caietele Echinox issn: 1582960X maglogo: N pubinfo: dt: 2026 vid: 50 pid: 52779 pub: Echinox Cultural Foundation artinfo: ui: 195382912 10.24193/cechinox.2026.50.09 ppf: 120 ppct: 10 formats: fmt: @attributes: type: P size: 679KB tig: atl: Othello the "Moor" and Rãzvan the "Gypsy" or Human Condition as Hybris. aug: au: Cuțitaru, Codrin Liviu affil: Alexandru Ioan Cuza University, Iasi, Romania. su: Pride & vanity Tragedy (Drama) Existentialism Respect Social marginality Shakespeare, William, 1564-1616 Plato, 428-347 B.C. Literature sug: subj: Pride & vanity Tragedy (Drama) Existentialism Respect Social marginality Shakespeare, William, 1564-1616 Plato, 428-347 B.C. Literature keyword: Comparative Tragedy Conditional Recognition Hasdeu Hybris Identity Marginality Otherness Shakespeare Thymos ab: This article offers a comparative reading of William Shakespeare’s Othello and Bogdan Petriceicu Hasdeu’s Răzvan and Vidra, focusing on the tragic trajectories of two marginalized figures whose exceptional merit propels them into positions of centrality within exclusionary social systems. While critical interpretations have often emphasized racism, xenophobia, or individual psychological flaws as primary causes of their downfall, this study advances a different thesis: the tragedies of Othello and Răzvan are best understood through the concept of hybris as an ontological condition, rather than as a moral or ethical excess alone. Drawing on the Platonic notion of thymos as the human drive for recognition, the article argues that both protagonists suffer from a form of conditional recognition that destabilizes their identity. Hybris, as dramatized in these works, reveals a fundamental tension inherent in the human condition itself. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Caietele Echinox is the property of Echinox Cultural Foundation and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Caietele Echinox holder: Echinox Cultural Foundation dt: @attributes: year: 2026 holdings: @attributes: islocal: N |
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