Un’identità romantica "aggiornata": Mihai Eminescu, nella prosa postmoderna di Mircea Cãrtãrescu.

In this article, we propose a comparative analysis between the prose of Mihai Eminescu, one of the most significant names of 18th century Romanian literature, and that of contemporary writer Mircea Cărtărescu, focusing our attention on the Romantic rhetoric of the poetic self. Our approach is driven...

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Publicado en:Caietele Echinox Vol. 50; pp. 145 - 162
Autor principal: Isailă, Veronica
Formato: Artículo
Publicado: Echinox Cultural Foundation 2026
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Acceso en línea:Ver este registro en EBSCOhost
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        10.24193/cechinox.2026.50.11
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        atl: Un’identità romantica "aggiornata": Mihai Eminescu, nella prosa postmoderna di Mircea Cãrtãrescu.
      aug:
        au: Isailă, Veronica
        affil: Babes-Bolyai University, Cluj-Napoca, Romania.
      su:
        Romanticism
        Cultural nationalism
        National character
        Romanian literature
        Postmodernism (Literature)
        Eastern Europe
        Central Europe
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          Eastern Europe
          Central Europe
          Romanticism
          Cultural nationalism
          National character
          Romanian literature
          Postmodernism (Literature)
      keyword:
        Anxiety of Influence
        Mihai Eminescu’s Romanticism
        Mircea Cărtărescu’s Postmodernism
        Post-Communist Europe
        The Construction of Identity
        Anxiety of Influence
        Mihai Eminescu’s Romanticism
        Mircea Cărtărescu’s Postmodernism
        Post-Communist Europe
        The Construction of Identity
      ab: In this article, we propose a comparative analysis between the prose of Mihai Eminescu, one of the most significant names of 18th century Romanian literature, and that of contemporary writer Mircea Cărtărescu, focusing our attention on the Romantic rhetoric of the poetic self. Our approach is driven by the desire to demonstrate how, even a century later, national Romanticism remains vital, a symptomatic fact of Central and Eastern European countries, which continue to feel culturally vulnerable in terms of national identity. By placing the Cărtărescu case within the broader discussion on the perpetuation of the national poet cult in contemporary times, we also aim to connect this literary production to a specific political, historical, and cultural context that marked the Slavic world of Europe in the second half of the last century, when, despite the threat of Soviet social homogenization, cultural nationalism did not disappear.
      pubtype: Academic Journal
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      src: R
    language: Italian
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