Re-defining Ghanaian hiplife songs by women as liberatory narratives.

A careful study of contemporary Ghanaian hiplife songs by women reveals a rich lode of subtle sexual innuendoes, liberatory remarks, resistance discourses, and overt and covert protests. The name "hiplife" is a compound of hip-hop and highlife, which points to the two major influences that constitut...

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Bibliographic Details

Published in:	Tydskrif vir Letterkunde Vol. 63; no. 1; pp. 20 - 32
Main Authors:	Amissah-Arthur, Hannah Woode, Ennin, Theresah Patrine, Sam, Christabel Aba
Format:	Article
Published:	Tydskrif vir Letterkunde 2026
Subjects:	Women's music Cultural industries Feminism Gender Ghana
Online Access:	View this record in EBSCOhost