بدهی و کنترل: انسان بدهکار در نمایشنامه معاصر آمریکا
The Great Recession of 2007-2009 had a profound impact on American drama, significantly influencing the visions, themes, and concerns of playwrights. This led to a more varied and socially aware theatrical landscape. Many dramatists redirected their focus towards the economic struggles and social in...
| Publicado en: | Research in Contemporary World Literature Vol. 31; no. 1; pp. 129 - 150 |
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| Autores principales: | , |
| Formato: | Artículo |
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University of Tehran
2026
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=195460109&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 195460109 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 25884131 K575 jtl: Research in Contemporary World Literature issn: 25884131 maglogo: N pubinfo: dt: 2026 vid: 31 iid: 1 pid: 47387 pub: University of Tehran artinfo: ui: 195460109 10.22059/JOR.2024.371319.2494 ppf: 129 ppct: 21 formats: tig: atl: بدهی و کنترل: انسان بدهکار در نمایشنامه معاصر آمریکا aug: au: حسین کرامت فر مریم سلطان بیاد affil: گروه زبان و ادبیات انگلیسی،دانشکده، دانشگاه قم، قم، ایران گروه زبان و ادبیات انگلیسی،دانشکده زبانها و ادبیات خارجی، دانشگاه تهران، تهران، ایران su: Debt Neoliberalism Deleuze, Gilles, 1925-1995 American drama Great Recession, 2008-2013 Social stability Performing arts Financial stress sug: subj: Debt Neoliberalism Deleuze, Gilles, 1925-1995 American drama Great Recession, 2008-2013 Social stability Performing arts Financial stress keyword: Great Recession Maurizio Lazzarato ab: The Great Recession of 2007-2009 had a profound impact on American drama, significantly influencing the visions, themes, and concerns of playwrights. This led to a more varied and socially aware theatrical landscape. Many dramatists redirected their focus towards the economic struggles and social instability resulting from the recession, producing works that reflected the anxieties and deprivations that economically insecure people experienced; works that captured the human cost of neoliberal economy. This paper explores this post-crisis trend in contemporary American drama during the second decade of the twenty-first century. Drawing on the perspectives of Gilles Deleuze and Maurizio Lazzarato regarding neoliberalism and the neoliberal subject, it examines their argument that the creation of indebted individuals is a primary means by which the neoliberal system perpetuates and strengthens itself. The paper, then, explores the portrayal of the indebted individuals in several American plays produced in the wake of the financial collapse. These plays, it is proposed, illustrate how neoliberalism constructs its subject through debt: a calculating subject primarily motivated by self-interest with little, if any, regard for moral considerations. The plays point to the interaction between neoliberal debt and self-serving conduct to investigate how neoliberalism impedes solidarity through the mechanism of debt. pubtype: Academic Journal doctype: Article src: R language: Persian refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2026 holdings: @attributes: islocal: N |
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