THEODOR STORM AND THE SHORE: (ANTI-)SYMBIOTIC ECONARRATIVES OF THE NORDIC COAST.

Theodor Storm (1817-1888), a key author of German realism, is internationally renowned for his coastal novellas. This paper examines Journey to a Hallig (Eine Halligfahrt, 1871) as an econarrative that uses the Hallig, a unique type of low-lying tidal island, as a concentrated littoral habitat to ex...

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Published in:Metacritic Journal for Comparative Studies & Theory Vol. 12; no. 1; pp. 126 - 146
Main Author: FÜRHOLZER, Katharina
Format: Literary Criticism
Published: Babes-Bolyai University of Cluj, Faculty of Letters Jul2026
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Online Access:View this record in EBSCOhost
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        atl: THEODOR STORM AND THE SHORE: (ANTI-)SYMBIOTIC ECONARRATIVES OF THE NORDIC COAST.
      aug:
        au: FÜRHOLZER, Katharina
        affil: University of Koblenz, Germany
      su:
        Symbiosis
        Coasts
        Narrative art
        Sea stories
        Environmental exposure
        Storms
        Narratives
        North Sea
      sug:
        subj:
          North Sea
          Symbiosis
          Coasts
          Narrative art
          Sea stories
          Environmental exposure
          Storms
          Narratives
      keyword:
        catastrophe literature
        econarratives in German literature
        flood narratives
        Nordic coast
        Theodor Storm
      ab: Theodor Storm (1817-1888), a key author of German realism, is internationally renowned for his coastal novellas. This paper examines Journey to a Hallig (Eine Halligfahrt, 1871) as an econarrative that uses the Hallig, a unique type of low-lying tidal island, as a concentrated littoral habitat to explore (anti-)symbiotic forms of human-nonhuman coexistence along the North Sea coast. In Storm's novella, the coastal shore as well as storm tides are dramatized as forces that expose the precarious and asymmetrical relations between humans, flora, fauna, and water, where life unfolds in unstable alliances with the sea. The analysis highlights how Storm narrates interdependence through dialectics of vulnerability and agency, including moments in which human action itself disrupts ecological processes. It further shows how this symbiotic tension is mirrored aesthetically, with the dynamics of the sea resonating in narrative rhythm, temporal layering, and a semantics of colour. Storm's text thus inscribes the risks of living with water and offers historical perspectives on coexistence, catastrophe, and ecological vulnerability that remain relevant today.
      pubtype: Academic Journal
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    language: English
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