El musicante como sujetoterritorio sonoro: un enfoque epistemológico de la experiencia musical.

This article proposes a conceptualization of the musicante (the music-making subject) as a "sonic subject-territory," viewing musical experience as a space through which forms of belonging, memory, and knowledge are configured. It argues that sonic territory is not merely a fixed geographical space...

Descripción completa

Detalles Bibliográficos

Publicado en:	Co-herencia: Revista de Humanidades Vol. 23; no. 44; pp. 53 - 67
Autores principales:	Jordan Beghelli, Vanessa, Pérez Salazar, Germán Darío
Formato:	Artículo
Publicado:	Universidad EAFIT ene-jun2026
Materias:	Cultural transmission Musical performance Music education Musical aesthetics
Acceso en línea:	Ver este registro en EBSCOhost