Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700–1830 ed. by Cristina S. Martinez and Cynthia E. Roman (review).
The volume *Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700–1830*, edited by Cristina S. Martinez and Cynthia E. Roman, examines the significant yet often overlooked roles of women in the eighteenth-century print trade. Through fifteen...
| Publicado en: | Eighteenth-Century Studies Vol. 59; no. 3; pp. 466 - 469 |
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| Formato: | Artículo |
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Johns Hopkins University Press
Spring2026
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=195904700&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 195904700 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00132586 ECS jtl: Eighteenth-Century Studies issn: 00132586 maglogo: N pubinfo: dt: Spring2026 vid: 59 iid: 3 pid: 226 pub: Johns Hopkins University Press artinfo: ui: 195904700 10.1353/ecs.2026.a993294 ppf: 466 ppct: 3 formats: tig: atl: Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700–1830 ed. by Cristina S. Martinez and Cynthia E. Roman (review). aug: au: Contogouris, Ersy affil: Université de Montréal sug: ab: The volume *Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700–1830*, edited by Cristina S. Martinez and Cynthia E. Roman, examines the significant yet often overlooked roles of women in the eighteenth-century print trade. Through fifteen essays organized around themes of self-presentation, production spaces, and market competition, the collection explores how women navigated gendered barriers, familial networks, and legal challenges to contribute as artists, sellers, and publishers. The book highlights cases of women who managed print businesses, fostered female networks, and influenced the careers of male artists, while also addressing historical erasure and misattribution of their work. Employing diverse methodologies, the volume offers a comprehensive reassessment of women's imprint on print culture and commerce during this period. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2026 holdings: @attributes: islocal: N |
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