Creolization, Folklore, and Post-Racial Exception: Arthur Huff Fauset in Canada.

Published as the twenty-fourth volume of the Memoirs of the American Folklore Society in 1931, Arthur Huff Fauset's Folklore from Nova Scotia is the only book-length collection of Black Canadian folklore published in the twentieth century. As one of several significant American studies of Canadian f...

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Publicado en:Canadian Review of American Studies Vol. 56; no. 1; pp. 33 - 54
Autor principal: Johnson, Billy
Formato: Literary Criticism
Publicado: University of Toronto Press Apr2026
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Creolization, Folklore, and Post-Racial Exception: Arthur Huff Fauset in Canada.
      aug:
        au: Johnson, Billy
        affil: Department of English, Dalhousie University, Halifax, Nova Scotia, Canada
      su:
        Canadian folklore
        American folklore
        Fauset, Arthur Huff
        Creoles
        Black Canadians
        Postracialism
        20th century (Literary period)
        Nova Scotia
      sug:
        subj:
          Nova Scotia
          Canadian folklore
          American folklore
          Fauset, Arthur Huff
          Creoles
          Black Canadians
          Postracialism
          20th century (Literary period)
      keyword:
        American folklore studies
        Black Canadian folklore
        creolization
        Folklore from Nova Scotia
        post-race
        études folkloriques américaines
        créolisation
        folklore noir canadien
      ab:
        Published as the twenty-fourth volume of the Memoirs of the American Folklore Society in 1931, Arthur Huff Fauset's Folklore from Nova Scotia is the only book-length collection of Black Canadian folklore published in the twentieth century. As one of several significant American studies of Canadian folklore, the collection also illustrates the extent to which Canadian and US folklore studies were co-implicated in the construction of their respective subjects: the folk they reputedly discovered and the national cultures that folklore was thought to express. This article situates Fauset's collection within the disciplinary and cultural contexts that shaped his account of Black Canada before examining representative stories. Drawing on recent theorizations of Canada as a space of cultural creolization, the author argues that the collection unsettles not only the persistent myth of Canada as a "post-racial" society but also the disciplinary biases that continue to structure national-cultural narratives in the present.
        Publié en 1931 comme vingt-quatrième volume des mémoires de l'American Folklore Society, Folklore from Nova Scotia d'Arthur Huff Fauset est le seul ouvrage d'une collection sur le folklore noir canadien à être paru au vingtième siècle. Cette collection, qui est l'une des quelques études américaines importantes sur le folklore canadien, démontre également à quel point les études folkloriques canadiennes et américaines ont participé conjointement à la formation de leurs sujets respectifs : le folklore qu'ils sont réputés avoir découvert et les cultures nationales que ce folklore était considéré exprimer. Le présent article situe la collection de Fauset dans les contextes disciplinaires et culturels qui ont formé ce compte rendu du Canada noir avant d'en examiner les histoires représentatives. S'inspirant de théorisations récentes du Canada comme espace de créolisation culturelle, l'auteur avance que la collection déstabilise non seulement le mythe persistant du Canada comme une société « post-raciale », mais également les biais disciplinaires qui continuent de structurer les récits culturels nationaux actuels.
      pubtype: Academic Journal
      doctype: Literary Criticism
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    language: English
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