Alien Mixtures: Health and Disease in The Sugar-Cane's Biocolonial Ecosystem.

This article argues that James Grainger's The Sugar-Cane (1764) makes botanical management—the selection, transplantation, and regulation of plants—its central technology for naturalizing plantation "health." Reading the poem's transplanted remedies, its sugarcane monoculture, and its footnotes' nat...

Descripción completa

Detalles Bibliográficos
Publicado en:Early American Studies, An Interdisciplinary Journal Vol. 24; no. 3; pp. 286 - 312
Autor principal: Rotzokou, Elena
Formato: Artículo
Publicado: University of Pennsylvania Press Summer2026
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=196086020&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 196086020
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        15434273
        00N
      jtl: Early American Studies, An Interdisciplinary Journal
      issn: 15434273
      maglogo: N
    pubinfo:
      dt: Summer2026
      vid: 24
      iid: 3
      pid: 4636
      pub: University of Pennsylvania Press
    artinfo:
      ui:
        196086020
        10.1353/eam.2026.a997609
      ppf: 286
      ppct: 26
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 388KB
      tig:
        atl: Alien Mixtures: Health and Disease in The Sugar-Cane's Biocolonial Ecosystem.
      aug:
        au: Rotzokou, Elena
        affil: Columbia University
      sug:
      ab: This article argues that James Grainger's The Sugar-Cane (1764) makes botanical management—the selection, transplantation, and regulation of plants—its central technology for naturalizing plantation "health." Reading the poem's transplanted remedies, its sugarcane monoculture, and its footnotes' natural history together, I show how vegetal life is made to stand as evidence that imperial environmental transformation is both humane and medically necessary, even as the poem's own plant logic repeatedly discloses the coercion and death that underwrite that well -- being. I develop the term biocolonial poetics to name this aesthetic and discursive strategy, in which a rhetoric of cure consolidates control by treating the plantation as an ecosystem to be optimized. Although terms such as ecology and environmental transformation postdate Grainger, I use them as critical heuristics for tracing how the poem conceptualizes relations among people, plants, climate, and land. Attending to the poem's plants clarifies where its georgic order chafes against the violence it must manage—and what its careful botanical attention cannot finally contain.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Early American Studies, An Interdisciplinary Journal is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Early American Studies, An Interdisciplinary Journal
      holder: University of Pennsylvania Press
      dt:
        @attributes:
          year: 2026
    holdings:
      @attributes:
        islocal: N