Perceptographic code in visual culture.
Visual culture can be considered from semiotic point of view as a system of visual codes. Several of them have natural routs. So the perceptual code is formed already on biological level mediating translation of sensory data into perceptual images of the spatial world. The means of natural perceptua...
| Publicado en: | Sign Systems Studies Vol. 33; no. 1; pp. 137 - 159 |
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| Formato: | Artículo |
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University of Tartu
2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=20814791&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 20814791 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14064243 DSW jtl: Sign Systems Studies issn: 14064243 maglogo: N pubinfo: dt: 2005 vid: 33 iid: 1 pid: 25096 pub: University of Tartu artinfo: ui: 20814791 10.12697/sss.2005.33.1.05 ppf: 137 ppct: 22 formats: fmt: @attributes: type: P size: 199KB tig: atl: Perceptographic code in visual culture. aug: au: Tchertov, Leonid affil: Dept. of Philosophy, Saint-Petersburg State University, Mendeleevskaja line 5, St. Petersburg 199034, Russia su: Sensory perception Culture Historical sociology Cognition Intellect Theory of knowledge sug: subj: Sensory perception Culture Historical sociology Cognition Intellect Theory of knowledge ab: Visual culture can be considered from semiotic point of view as a system of visual codes. Several of them have natural routs. So the perceptual code is formed already on biological level mediating translation of sensory data into perceptual images of the spatial world. The means of natural perceptual code are transformed in culture, where they are involved in communication by depictions. The depiction on the flat performs the function of a "perceptogram", which, on one hand, is an external record of an internal perceptual image or an idea, and, on the other hand, serves as a program for a spectator's visual perception. The means of this "perceptography" form an artificial code, which is, on the contrary to the perceptual code, communicative, deliberately used and transformed in various ways at different periods of time in diverse kinds of practical and artistic activity. Not all perceptograms become pieces of art, but all history of pictorial arts can be considered as a process of development and mastering with the different versions of this perceptographic code. The changes of this code in visual culture are connected with the intrinsic development of "vision forms" as well with invention of external means of communication. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Sign Systems Studies is the property of University of Tartu and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Sign Systems Studies holder: University of Tartu dt: @attributes: year: 2005 holdings: @attributes: islocal: N |
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