To sing the body electric: Instruments and effort in the performance of electronic music.
Visualized emotion can be transmitted through minimal physical gestures in a musical performance; this process can be described as ‘sentic’, a term originally coined by Manfred Clynes in the 1970s during research into the effects of space travel. The development of alternate musical instruments from...
| Publicado en: | Contemporary Music Review Vol. 25; no. 1/2; pp. 183 - 192 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2006
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=20855622&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 20855622 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2006 vid: 25 iid: 1/2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 20855622 10.1080/07494460600647667 ppf: 183 ppct: 9 formats: fmt: – @attributes: type: T – @attributes: type: P size: 72KB tig: atl: To sing the body electric: Instruments and effort in the performance of electronic music. aug: au: d'Escriván, Julio su: Electronic music Musical performance Musical instruments Music orchestration Clynes, Manfred sug: subj: Electronic music Musical performance Musical instruments Music orchestration Clynes, Manfred keyword: Effort Electronic Music Instruments Minimal Sentic ab: Visualized emotion can be transmitted through minimal physical gestures in a musical performance; this process can be described as ‘sentic’, a term originally coined by Manfred Clynes in the 1970s during research into the effects of space travel. The development of alternate musical instruments from the 1960s up to the present day breaks the traditional musical paradigm of effort in performance. This development also shadows concepts of space exploration technology such as teleoperation. Musical instruments can be evaluated in terms of a new musical effort paradigm; a young generation seems content to accept that there may be no apparent correlation between input effort and sound output. This article explores what a contemporary notion of effort might be, inspired by a reading of Walt Whitman's poem ‘I Sing the Body Electric’. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2006 holdings: @attributes: islocal: N |
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