Embodiment: The body in algorithmic sound generation.
This article deals with the idea and strategy of embodiment in algorithmic sound generation mediated by musical interfaces. Some strategies of integrating the physical body in the context of interactive algorithmic sound synthesis give rise to an extension and immaterialization of the physical body...
| Publicado en: | Contemporary Music Review Vol. 25; no. 1/2; pp. 139 - 150 |
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| Autores principales: | , |
| Formato: | Artículo |
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Taylor & Francis Ltd
2006
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=20855623&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 20855623 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2006 vid: 25 iid: 1/2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 20855623 10.1080/07494460600647592 ppf: 139 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 81KB tig: atl: Embodiment: The body in algorithmic sound generation. aug: au: Kim, Jin Hyun Seifert, Uwe su: Sound recording & reproducing Cognitive science Human-computer interaction Mind & body Music sug: subj: Sound recording & reproducing Cognitive science Human-computer interaction Mind & body Music keyword: Cognitive Science Embodiment Human–Computer Interaction Human–Computer Interaction Human-Computer Interaction Interactionism Interactive Music Systems Media Theory ab: This article deals with the idea and strategy of embodiment in algorithmic sound generation mediated by musical interfaces. Some strategies of integrating the physical body in the context of interactive algorithmic sound synthesis give rise to an extension and immaterialization of the physical body that seems to deviate from ‘embodiment’. In order to discuss ‘embodiment’, different uses of the term and their relations are considered, focusing on the use of ‘embodiment’ in philosophy, engineering and cognitive science. Following the current discourses about embodiment in cognitive science and media theory, the body is regarded neither as internal to consciousness nor as a fully external object of experience. Embodiment in algorithmic sound generation depends on the interplay between the physical body, the data body and sound in which the body becomes both a subject and an object by affecting and being affected by its virtual sound environment and vice versa. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2006 holdings: @attributes: islocal: N |
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