The flux between sounding and sound: Towards a relational understanding of music as embodied action.
In this article I consider implications for the body inherent in two aspects of contemporary musical practice: normative and computer-assisted. I separate music into bodily action and resulting vibration, or the act of sounding and the material of sound. From this ground, I examine the field for an...
| Publicado en: | Contemporary Music Review Vol. 25; no. 1/2; pp. 37 - 47 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2006
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | In this article I consider implications for the body inherent in two aspects of contemporary musical practice: normative and computer-assisted. I separate music into bodily action and resulting vibration, or the act of sounding and the material of sound. From this ground, I examine the field for an understanding of music that questions the exclusive role of listening in musical experience. |
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