Music cognition and the bodily approach: Musical instruments as tools for musical semantics.
This article is about music cognition and the role the body plays in its acquisition. It argues for a processual approach to dealing with music rather than conceiving of music as an artefact. Leaning heavily on the older philosophical writings of Dewey, it tries to provide an operational approach to...
| Publicado en: | Contemporary Music Review Vol. 25; no. 1/2; pp. 59 - 69 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2006
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=20855635&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 20855635 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2006 vid: 25 iid: 1/2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 20855635 10.1080/07494460600647451 ppf: 59 ppct: 10 formats: fmt: – @attributes: type: T – @attributes: type: P size: 103KB tig: atl: Music cognition and the bodily approach: Musical instruments as tools for musical semantics. aug: au: Reybrouck, Mark su: Musical instruments Music orchestration Cognition Music Semantics sug: subj: Musical instruments Music orchestration Cognition Music Semantics keyword: Adaptive Device Interaction Music Cognition Music Instruments Tool Using ab: This article is about music cognition and the role the body plays in its acquisition. It argues for a processual approach to dealing with music rather than conceiving of music as an artefact. Leaning heavily on the older philosophical writings of Dewey, it tries to provide an operational approach to the musical experience, with a special focus on the sensory-motor interactions of the music user with the sonic world. As such, it is possible to conceive of the music user as an adaptive device, with natural perceptual and effector tools that can be modified at will. It is argued, further, that musical instruments can be considered as artificial extensions of these natural tools, allowing us to conceive of them in epistemological terms as tools for music knowledge acquisition. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2006 holdings: @attributes: islocal: N |
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