Distributed Blackness : African American Cybercultures

Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture AssociationWinner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet ResearchersAn explanation of the digital practices of the...

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Detalles Bibliográficos
Autor principal: André Brock, Jr
Formato: Libro
Publicado: NYU Press 2020
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Acceso en línea:Ver este registro en EBSCOhost
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        African Americans--Intellectual life--21st century
        African Americans and mass media
        Internet--Social aspects--United States
        African Americans--Communication
        Online social networks--United States
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          SOCIAL SCIENCE / Black Studies (Global)
          SOCIAL SCIENCE / Media Studies
          African Americans--Intellectual life--21st century
          African Americans and mass media
          Internet--Social aspects--United States
          African Americans--Communication
          Online social networks--United States
      ab: Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture AssociationWinner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet ResearchersAn explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how “blackness” gets worked out in various technological domains. As Brock demonstrates, there's nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.
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