Same difference: Transdisciplinary concepts and skills in artistic practice to minimise communication breakdown in art practice when misusing a common language.
Our ears are not isolated from our other senses, but work in conjunction with them to maximise our chance of survival and to make sense of our world. However, the growth of specialisation in artistic practice and theory means that disciplinary-specific practices have, over time, tended toward silos,...
| Publicado en: | Contemporary Music Review Vol. 25; no. 4; pp. 367 - 379 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2006
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=22031739&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 22031739 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2006 vid: 25 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 22031739 10.1080/07494460600761047 ppf: 367 ppct: 12 formats: fmt: – @attributes: type: T – @attributes: type: P size: 88KB tig: atl: Same difference: Transdisciplinary concepts and skills in artistic practice to minimise communication breakdown in art practice when misusing a common language. aug: au: Arthurs, Andy su: Music & dance Art & dance Art & music Performing arts Arts sug: subj: Music & dance Art & dance Art & music Performing arts Arts keyword: Digital Convergence Interdisciplinarity Music Technology Musicianship Space/Time Music Model Transdiscipline ab: Our ears are not isolated from our other senses, but work in conjunction with them to maximise our chance of survival and to make sense of our world. However, the growth of specialisation in artistic practice and theory means that disciplinary-specific practices have, over time, tended toward silos, isolating themselves from each other by their specialist training institutions, funding bodies and artistic and industrial practices. The advantage of separation was to enable the analysis of structures and form through particular lenses or frameworks, and to create highly specialised ‘experts’ in areas such as visual arts, dance, drama and music. This ensured high quality within that paradigm, but, in an era of convergence in which we now find ourselves, new phenomena arise, one being the transdisciplinary musician. For such an approach, fresh concepts emerge, and new skill-sets and techniques are needed. This article attempts to identify some of these. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2006 holdings: @attributes: islocal: N |
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