The mirage of real-time algorithmic synaesthesia: Some compositional mechanisms and research agendas in computer music and sonification.
This article looks at algorithmic synaesthesia, a form of sonic intermedia involving synchronous computer-mediated manipulation of sound and image. In algorithmic synaesthesia extensively shared features are created in the two media. Examples of such work by austraLYSIS and others are discussed. Wha...
| Publicado en: | Contemporary Music Review Vol. 25; no. 4; pp. 311 - 327 |
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| Autores principales: | , , , |
| Formato: | Artículo |
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Taylor & Francis Ltd
2006
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=22031740&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 22031740 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2006 vid: 25 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 22031740 10.1080/07494460600760981 ppf: 311 ppct: 16 formats: fmt: – @attributes: type: T – @attributes: type: P size: 604KB tig: atl: The mirage of real-time algorithmic synaesthesia: Some compositional mechanisms and research agendas in computer music and sonification. aug: au: Dean, RogerT. Whitelaw, Mitchell Smith, Hazel Worrall, David su: Computer music Cognition Senses Electronic music Computer composition sug: subj: Computer music Cognition Senses Electronic music Computer composition keyword: Algorithmic Synaesthesia Intermedia Microsound Sonification ab: This article looks at algorithmic synaesthesia, a form of sonic intermedia involving synchronous computer-mediated manipulation of sound and image. In algorithmic synaesthesia extensively shared features are created in the two media. Examples of such work by austraLYSIS and others are discussed. What an audience member can cognitively access in such synaesthesia is considered: creators of intermedia works may overestimate this. The fact that a machine can process image and sound in parallel, and by the same algorithm, does not establish that the human brain can. The transparency of an algorithmic process to a listener-viewer-screener is a core issue in auditory display (or ‘sonification’). Sonification aims to make the segmentation of a data set more accessible than it is when represented numerically or visually, and has many practical and creative applications. Current approaches in experimental cognition may assist us in evaluating these issues. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2006 holdings: @attributes: islocal: N |
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