On Presence: Spots of Time.

How can the subliminal, mysterious, but uncommonly powerful living-on, the presence, of the past be envisaged? In this essay I argue that presence is not brought about by stories—by, that is, the "storiness" of stories. Presence rather shows itself in how the past can force us—and enable us—to rewri...

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Publicado en:History & Theory Vol. 45; no. 3; pp. 305 - 317
Autor principal: Runia, Eelco
Formato: Essay
Publicado: Wiley-Blackwell Oct2006
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Acceso en línea:Ver este registro en EBSCOhost
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        affil: University of Groningen
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        Essays
        Fiction
        Experience
        Memory
        Metaphor
        Metonyms
        Figures of speech
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          Essays
          Fiction
          Experience
          Memory
          Metaphor
          Metonyms
          Figures of speech
      ab: How can the subliminal, mysterious, but uncommonly powerful living-on, the presence, of the past be envisaged? In this essay I argue that presence is not brought about by stories—by, that is, the "storiness" of stories. Presence rather shows itself in how the past can force us—and enable us—to rewrite our stories about ourselves. The question then is how we acquire the experiences that can eventually force us to do so. How, and with what kind of things, does the mémoire involontaire—from which presence wells up—get filled? In order to answer this question one might turn it around to the question how we can fill the mémoire involontaire of others. A consideration of the "art of slandering" shows that the mémoire involontaire tends to get filled with things (1) that we believe are "common knowledge," that (2) are "obliquely" communicated, and that (3) are cast in metonymies. Metonymy offers a much better road to the mémoire involontaire than metaphor because metonymy is better at suggesting that what it conveys is "common knowledge." Therefore, I propose that presence resides in the metonymical region of language. Instead of being contained in the meaningful content (the "storiness") of stories, presence resides in what a story inadvertently has to be—in, that is, the things a story has to present in order to present a story. My conclusion is that as presence the past is the exact opposite of what historians think it is. It is indestructible, uncannily close, and—despite its closeness and its durability—utterly impossible to conserve in "representations" that can be taken along in the hand luggage with which we traverse time.
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