Independent Filmmaking Across Borders in Contemporary Asia

Independent Filmmaking across Borders in Contemporary Asia examines an array of auteur-driven fiction and documentary independent film projects that have emerged since the turn of the millennium from East and Southeast Asia, a strand of transnational filmmaking that converges with Asia's vibrant yet...

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Detalles Bibliográficos
Autor principal: Ran Ma
Formato: Libro
Publicado: Routledge 2020
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: Ran Ma
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        Independent filmmakers--Asia
        Motion pictures--Asia
        Independent films--Asia
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        subj:
          ART / Asian / General
          PERFORMING ARTS / Film / General
          SOCIAL SCIENCE / Regional Studies
          Independent filmmakers--Asia
          Motion pictures--Asia
          Independent films--Asia
      ab: Independent Filmmaking across Borders in Contemporary Asia examines an array of auteur-driven fiction and documentary independent film projects that have emerged since the turn of the millennium from East and Southeast Asia, a strand of transnational filmmaking that converges with Asia's vibrant yet unevenly developed independent film movements amidst global neoliberalism. These projects bear witness to and are shaped by the ongoing historical processes of inter-Asia interaction characterized by geopolitical realignment, migration, and population displacement. This study threads together case studies of internationally acclaimed filmmakers, artists, and collectives such as Zhang Lu, Kuzoku, Li Ying, Takamine Go, Yamashiro Chikako, and Midi Z, all of whose transborder journeys and cinematic imaginations disrupt static identity affiliations built upon national, ethnic, or cultural differences. This border-crossing filmmaking can be viewed as both an aesthetic practice and a political act, reframing how people, places, and their interconnections can be perceived — thereby opening up possibilities to reimagine Asia and its connections to globalization.
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