The Excluded Terms of Culture: Cultural Inclusion as Spectacle.
The artistic production of particular disabled individuals and groups in the UK is presented to portray the tensions within and between the social and cultural conditions of inclusion and exclusion. To help understand, articulate and embed these terms Bourdieu’s theoretical discourse on distinction...
| Publicado en: | Journal for Cultural Research Vol. 10; no. 4; pp. 323 - 343 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Oct2006
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=22976606&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 22976606 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14797585 QMJ jtl: Journal for Cultural Research issn: 14797585 maglogo: Y pubinfo: dt: Oct2006 vid: 10 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 22976606 10.1080/14797580601014433 ppf: 323 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 82KB tig: atl: The Excluded Terms of Culture: Cultural Inclusion as Spectacle. aug: au: Clements, Paul su: Social conditions in England Cultural exclusion Socioeconomic factors Political culture Productivism (Art) Cultural capital sug: subj: Social conditions in England Cultural exclusion Socioeconomic factors Political culture Productivism (Art) Cultural capital ab: The artistic production of particular disabled individuals and groups in the UK is presented to portray the tensions within and between the social and cultural conditions of inclusion and exclusion. To help understand, articulate and embed these terms Bourdieu’s theoretical discourse on distinction where taste and cultural capital are determined by broader socio‐economic factors, is applied and evaluated. A Foucauldian analysis is also utilised to illustrate how the arts represent excluded constituencies as spectacles within normalising discourses. Consequently, two frameworks and representations of arts practices by excluded constituencies are explored, one “high” art by “outsiders”, the other a more functional welfare orientated art by those with mental health problems. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal for Cultural Research is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal for Cultural Research holder: Taylor & Francis Ltd dt: @attributes: year: 2006 holdings: @attributes: islocal: N |
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