Listening to the Mind Listening: An Analysis of Sonification Reviews, Designs and Correspondences.
Listening to the Mind Listening (LML) explored whether sonifications can be more than just "noise" in terms of perceived information and musical experience. The project generated an unprecedented body of 27 multichannel sonifications of the same dataset by 38 composers. The design of each sonificati...
| Publicado en: | Leonardo Music Journal Vol. 16; no. 1; pp. 13 - 20 |
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| Autores principales: | , , |
| Formato: | Artículo |
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MIT Press
Dec2006
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=23306786&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 23306786 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2006 vid: 16 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 23306786 10.1162/lmj.2006.16.13 ppf: 13 ppct: 7 formats: fmt: @attributes: type: P size: 2.2MB tig: atl: Listening to the Mind Listening: An Analysis of Sonification Reviews, Designs and Correspondences. aug: au: Barrass, Stephen Whitelaw, Mitchell Bailes, Freya affil: Researcher, designer, and sonifier, Sonic Communications Research Group, School of Creative Communication, University of Canberra, ACT 2601, Australia Lecturer, writer, and artist, Sonic Communications Research Group, School of Creative Communication, University of Canberra, ACT 2601, Australia Researcher, psychologist and musician, Sonic Communications Research Group, School of Creative Communication, University of Canberra, ACT 2601, Australia su: Listening Music Noise Concerts sug: subj: Listening Music Noise Concerts ab: Listening to the Mind Listening (LML) explored whether sonifications can be more than just "noise" in terms of perceived information and musical experience. The project generated an unprecedented body of 27 multichannel sonifications of the same dataset by 38 composers. The design of each sonification was explicitly documented, and there are 88 analytical reviews of the works. The public concert presenting 10 of these sonifications at the Sydney Opera House Studio drew a capacity audience. This paper presents an analysis of the reviews, the designs and the correspondences between timelines of these works. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2006 holdings: @attributes: islocal: N |
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