Aurora Leigh's Radical Youth: Derridean Parergon and the Narrative Frame in "A Vision of Poets.".

The article offers poetry criticism of the poem "A Vision of Poets" by Elizabeth Barrett Browning. It focuses on the nature of the poet's narrative vision in the work, which was published in 1844 in the collection "Poems," as well as in the novel-poem "Aurora Leigh," published in 1856. The works are...

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Publicado en:Victorian Poetry Vol. 44; no. 4; pp. 425 - 445
Autor principal: Johnson, Stephanie L.
Formato: Poetry Review
Publicado: Johns Hopkins University Press Winter2006
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Aurora Leigh's Radical Youth: Derridean Parergon and the Narrative Frame in "A Vision of Poets.".
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        au: Johnson, Stephanie L.
        affil: Lilly Postdoctoral Fellow in Humanities and the Arts, Valparaiso University
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        Browning, Elizabeth Barrett, 1806-1861
        Literary criticism
        Poetry (Literary form)
        Vision of Poets, A (Poem)
        Aurora Leigh (Poem : Browning)
        Derrida, Jacques, 1930-2004
        Women poets
        Victorian (Literary period)
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          Browning, Elizabeth Barrett, 1806-1861
          Literary criticism
          Poetry (Literary form)
          Vision of Poets, A (Poem)
          Aurora Leigh (Poem : Browning)
          Derrida, Jacques, 1930-2004
          Women poets
          Victorian (Literary period)
      ab: The article offers poetry criticism of the poem "A Vision of Poets" by Elizabeth Barrett Browning. It focuses on the nature of the poet's narrative vision in the work, which was published in 1844 in the collection "Poems," as well as in the novel-poem "Aurora Leigh," published in 1856. The works are addressed in light of the concept of the parergon in the thought of critical theorist Jacques Derrida. The poem's presentation of a female poet who challenges the male tradition is examined.
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    language: English
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