Riding the Sphinx - Lines about 'Live'.
The article discusses various aspects of live electronic music performance. The question of the physical gesture is of highest importance to the author, who also pays careful attention to the audience feedback. More generally, the author mentions several questions relative to interaction, such as di...
| Publicado en: | Contemporary Music Review Vol. 18; no. 3; pp. 119 - 127 |
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| Autor principal: | |
| Formato: | Artículo |
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Taylor & Francis Ltd
1999
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=24876178&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 24876178 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 1999 vid: 18 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 24876178 10.1080/07494469900640401 ppf: 119 ppct: 8 formats: fmt: – @attributes: type: T – @attributes: type: P size: 608KB tig: atl: Riding the Sphinx - Lines about 'Live'. aug: au: Waisvisz, Michel su: Electronic music Computer music Musical performance Nonverbal communication Electronic musical instruments Virtual reality sug: subj: Electronic music Computer music Musical performance Nonverbal communication Electronic musical instruments Virtual reality keyword: Audience feedback Electronic instrument Instrument Meaning Physical gesture ab: The article discusses various aspects of live electronic music performance. The question of the physical gesture is of highest importance to the author, who also pays careful attention to the audience feedback. More generally, the author mentions several questions relative to interaction, such as direct engagement with the instrument and distributed engagement ... Taking a strong esthetical stand, the article discusses the relationship between the instrument and the composer as a result of live performance on stage. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 1999 holdings: @attributes: islocal: N |
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