The aesthetics of interactive music systems.
Computers in music have made possible new kinds of composition at the same time that they have caused upheaval in the social and cultural practice of music making. Interactive music systems have a particular place in this context in that they explore some highly specific techniques of composition at...
| Publicado en: | Contemporary Music Review Vol. 18; no. 3; pp. 83 - 88 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
1999
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=24876182&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 24876182 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 1999 vid: 18 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 24876182 10.1080/07494469900640361 ppf: 83 ppct: 5 formats: fmt: – @attributes: type: T – @attributes: type: P size: 278KB tig: atl: The aesthetics of interactive music systems. aug: au: Rowe, Robert su: Music Computer music Musical composition Music improvisation Violin sug: subj: Music Computer music Musical composition Music improvisation Violin keyword: algorithmic composition improvisation Interactive music systems ab: Computers in music have made possible new kinds of composition at the same time that they have caused upheaval in the social and cultural practice of music making. Interactive music systems have a particular place in this context in that they explore some highly specific techniques of composition at the same time that they create a novel and engaging form of interaction between humans and computers. In this essay, real-time algorithmic composition in works including improvisation are considered as well as the contrasts between interactive and tape music. The author's composition Maritime for violin and interactive music system is presented as an illustration of the aesthetic viewpoint developed. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 1999 holdings: @attributes: islocal: N |
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