Virtual Realities.
The article comments on the use of computer-based instruments in live musical performances in the U.S. Controversy has clouded the use of computer programs that enable the live playback of virtual orchestras controlled by an operator through computers. The issue requires musicians to strike a balanc...
| Publicado en: | Downbeat Vol. 74; no. 6; p. 19 |
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| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Maher Publications Inc.
Jun2007
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=25131260&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 25131260 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00125768 DNB jtl: Downbeat issn: 00125768 maglogo: N pubinfo: dt: Jun2007 vid: 74 iid: 6 pid: 251 pub: Maher Publications Inc. artinfo: ui: 25131260 ppf: 19 ppct: 0 formats: tig: atl: Virtual Realities. aug: au: Jackson, D. D. su: Computer music Musical performance Computer software Electronic music United States sug: subj: United States Computer music Musical performance Computer software Electronic music ab: The article comments on the use of computer-based instruments in live musical performances in the U.S. Controversy has clouded the use of computer programs that enable the live playback of virtual orchestras controlled by an operator through computers. The issue requires musicians to strike a balance between the inevitable emergence of musical technology and the preservation of live musical performances. pubtype: Periodical doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2007 holdings: @attributes: islocal: N |
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