‘’Tis not, what once it was, the world’: Andrew Marvell's Re-Mapping of Old and New in Bermudas and Upon Appleton House.
The cartographic discourse of certainty and precision that became so ingrained in England in the sixteenth century becomes a new means of negotiating the stress and political upheaval of the seventeenth. The certainty and imaginative control of the physical world embodied in the early modern cartogr...
| Publicado en: | Seventeenth Century Vol. 21; no. 2; pp. 214 - 462 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Autumn2006
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=25220366&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 25220366 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0268117X 7JW jtl: Seventeenth Century issn: 0268117X maglogo: N pubinfo: dt: Autumn2006 vid: 21 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 25220366 10.1080/0268117X.2006.10555575 ppf: 214 ppct: 248 formats: fmt: @attributes: type: P size: 256KB tig: atl: ‘’Tis not, what once it was, the world’: Andrew Marvell's Re-Mapping of Old and New in Bermudas and Upon Appleton House. aug: au: Smith, D. K. affil: Kansas State University su: Certainty English revolutionary literature Glorious Revolution, Great Britain, 1688 Kings & rulers England United Kingdom sug: subj: England United Kingdom Certainty English revolutionary literature Glorious Revolution, Great Britain, 1688 Kings & rulers ab: The cartographic discourse of certainty and precision that became so ingrained in England in the sixteenth century becomes a new means of negotiating the stress and political upheaval of the seventeenth. The certainty and imaginative control of the physical world embodied in the early modern cartographic imagination appears in stark contrast to the political and social instability of the English Revolution, when even the most solid and fixed aspect of England – the enduring nature of kingship, itself – is disrupted. In Marvell's hands the discourse of cartographic precision provides one of the most unexpected and interesting contexts for coming to grips with this period. At the same time, Marvell marks the final stage in the early modern development of the cartographic imagination: defamiliarizing cartographic accuracy, turning it back on itself as a means of highlighting, not precision and control, but a widespread anxiety about political unraveling. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Seventeenth Century is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Seventeenth Century holder: Taylor & Francis Ltd dt: @attributes: year: 2006 holdings: @attributes: islocal: N |
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