Andrew Jackson Downing and the Tyranny of Taste.
The following essay examines the published writing of Andrew Jackson Downing, the early nineteenth century architect and landscape gardener. As the most popular writer and commentator on house and landscape design of his time Downing profoundly shaped - both literally and metaphorically - the social...
| Publicado en: | American Nineteenth Century History Vol. 8; no. 2; pp. 187 - 204 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Jun2007
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=25508206&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 25508206 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14664658 IXM jtl: American Nineteenth Century History issn: 14664658 maglogo: N pubinfo: dt: Jun2007 vid: 8 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 25508206 10.1080/14664650701387920 ppf: 187 ppct: 17 formats: fmt: – @attributes: type: T – @attributes: type: P size: 81KB tig: atl: Andrew Jackson Downing and the Tyranny of Taste. aug: au: Wall, David su: Downing, A. J. (Andrew Jackson), 1815-1852 Author-publisher relations Nineteenth century Landscape design Landscape painting sug: subj: Downing, A. J. (Andrew Jackson), 1815-1852 Author-publisher relations Nineteenth century Landscape design Landscape painting keyword: Antebellum Architecture Culture Downing Landscape Gardening Taste ab: The following essay examines the published writing of Andrew Jackson Downing, the early nineteenth century architect and landscape gardener. As the most popular writer and commentator on house and landscape design of his time Downing profoundly shaped - both literally and metaphorically - the social and geographical environment of the emergent middle class. Relating his writing to the promotion of a shared nationalism as embodied in the landscape painting of the Hudson River School, the essay assesses Downing's drive to order by seeing it as a response to the general violence and disorder of the antebellum American city and demonstrates that the defining logic of Downing's project was the universalization of bourgeois taste, uniting the mutually legitimating discourses of privacy, consumption and self-control. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of American Nineteenth Century History is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: American Nineteenth Century History holder: Taylor & Francis Ltd dt: @attributes: year: 2007 holdings: @attributes: islocal: N |
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