Coleridge Conversing: Between Soliloquy and Invocation.

This article analyzes the conversation poem of English romantic poet Samuel Taylor Coleridge through soliloquy and invocation. It is claimed that voice and silence are two salients of his conversation poem particularly in "The Eolian Harp." His own conversational idiom is considered as a form of con...

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Publicado en:Wordsworth Circle Vol. 38; no. 3; pp. 113 - 118
Autor principal: Larkin, Peter
Formato: Literary Criticism
Publicado: University of Chicago Press Summer2007
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: Larkin, Peter
        affil: Warwick University
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        Eolian Harp, The (Poem : Coleridge)
        Coleridge, Samuel Taylor, 1772-1834
        Poetry (Literary form)
        Literary style
        Invocation
        Soliloquy
        Romanticism (Literary period)
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          Eolian Harp, The (Poem : Coleridge)
          Coleridge, Samuel Taylor, 1772-1834
          Poetry (Literary form)
          Literary style
          Invocation
          Soliloquy
          Romanticism (Literary period)
      ab: This article analyzes the conversation poem of English romantic poet Samuel Taylor Coleridge through soliloquy and invocation. It is claimed that voice and silence are two salients of his conversation poem particularly in "The Eolian Harp." His own conversational idiom is considered as a form of convocation, a calling out to other voices until the poet is able to hear his own voice calling. Views from other poets concerning his way of writing in his conversational poem are also discussed.
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