Derrida Un-Cut: Cixous's Art of Hearts.
This article concerns the Portrait of Jacques Derrida, drawn by Hélène Cixous in 2001. The pages I choose to focus on are nine extracts of Derrida's footnoted additions to an essay by Geoffrey Bennington, either annotated or highlighted, sometimes both, in Cixous's hand in red, blue or black pen. Th...
| Publicado en: | Paragraph Vol. 30; no. 2; pp. 1 - 17 |
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| Formato: | Artículo |
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Edinburgh University Press
Jul2007
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=27029011&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 27029011 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02648334 C0N jtl: Paragraph issn: 02648334 maglogo: N pubinfo: dt: Jul2007 vid: 30 iid: 2 pid: 2327 pub: Edinburgh University Press artinfo: ui: 27029011 10.1353/prg.2007.0024 ppf: 1 ppct: 16 formats: fmt: @attributes: type: P size: 4.3MB tig: atl: Derrida Un-Cut: Cixous's Art of Hearts. aug: au: Regard, Frédéric su: Portraits Derrida, Jacques, 1930-2004 Cixous, Hélène, 1937- Deconstruction Biographies Intimacy (Psychology) Writing sug: subj: Portraits Derrida, Jacques, 1930-2004 Cixous, Hélène, 1937- Deconstruction Biographies Intimacy (Psychology) Writing keyword: biography Cixous deconstruction Derrida handwriting intimacy portrait touching ab: This article concerns the Portrait of Jacques Derrida, drawn by Hélène Cixous in 2001. The pages I choose to focus on are nine extracts of Derrida's footnoted additions to an essay by Geoffrey Bennington, either annotated or highlighted, sometimes both, in Cixous's hand in red, blue or black pen. The central point I develop is that Cixous's close relation to Derrida is not so much to an intimate friend whose skin could be touched, as to Derrida qua writing being, Derrida as corpus. I argue that intimacy operates by loosening Derrida's tongue, entering into his tongue in order to get to his heart by means of a hand-performed ‘ritual’, which I call the ritual of ‘sur-lining’. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Paragraph is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Paragraph holder: Edinburgh University Press dt: @attributes: year: 2007 holdings: @attributes: islocal: N |
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