Documentary Stories for Change: Viewing and Producing Immigrant Narratives as Social Documents.
This article presents an analysis which focuses on the politics of representation involved in the production of a community campaign around the public television documentary "The New Americans." The documentary traces the lives of immigrants from five countries over three years as they prepare to le...
| Publicado en: | Velvet Light Trap: A Critical Journal of Film & Television no. 60; pp. 25 - 37 |
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| Formato: | Artículo |
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University of Texas Press
Fall2007
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=27057984&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 27057984 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01491830 8I3 jtl: Velvet Light Trap: A Critical Journal of Film & Television issn: 01491830 maglogo: N pubinfo: dt: Fall2007 iid: 60 pid: 519 pub: University of Texas Press artinfo: ui: 27057984 10.1353/vlt.2007.0018 ppf: 25 ppct: 12 formats: fmt: @attributes: type: P size: 1.2MB tig: atl: Documentary Stories for Change: Viewing and Producing Immigrant Narratives as Social Documents. aug: au: Kemmitt, Alicia su: New Americans, The (TV program) Bias in documentary television programs Immigrants on television Public television Nonfiction television programs Documentary mass media sug: subj: New Americans, The (TV program) Bias in documentary television programs Immigrants on television Public television Nonfiction television programs Documentary mass media ab: This article presents an analysis which focuses on the politics of representation involved in the production of a community campaign around the public television documentary "The New Americans." The documentary traces the lives of immigrants from five countries over three years as they prepare to leave their home countries and make new lives in the U.S. The article considers the institutionally and socially situated context of narrowcast documentary reception and production and investigates the textual and social practices through which a coalition of stakeholders used a major television broadcast documentary to produce narrowcast videos tailored to particular audience groups for intended outcomes. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Velvet Light Trap is the property of and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. item: Velvet Light Trap: A Critical Journal of Film & Television dt: @attributes: year: 2007 holdings: @attributes: islocal: N |
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