KULTŪRA KAIP EGZISTENCINĖ KŪRYBA.

The author analyses culture as an existential creation. The living world is treated as a creative environment which is developed by a participant of culture. The author suggests the cultural world to be a dynamic whole where existential creation is developed. According to the author, existence is de...

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Publicado en:Problems / Problemos Vol. 71; pp. 49 - 59
Autor principal: Kačerauskas, Tomas
Formato: Artículo
Publicado: Vilnius University 2007
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        10.15388/Problemos.2007..2540
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        atl: KULTŪRA KAIP EGZISTENCINĖ KŪRYBA.
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        au: Kačerauskas, Tomas
        affil: Vilniaus Gedimino technikos universiteto, Filosofijos ir politologijos katedra, Saulėtekio al. 11, LT-10223 Vilnius
      su:
        Culture
        Artistic creation
        Literary criticism
        Fiction
        Empiricism
        Phenomenalism
        Art
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          Culture
          Artistic creation
          Literary criticism
          Fiction
          Empiricism
          Phenomenalism
          Art
      keyword:
        culture
        environment
        existential project
        globalization
        aplinka
        egzistencinis projektas
        globalizacija
        kultūra
      ab:
        The author analyses culture as an existential creation. The living world is treated as a creative environment which is developed by a participant of culture. The author suggests the cultural world to be a dynamic whole where existential creation is developed. According to the author, existence is developed in the cultural environment which is dynamic while it is a space of the inferaction of different existential projects. The other thesis deals with the authenticity of the cultural phenomena. The whole, which is dynamic, i.e. open and intentional, is authentic. The author argues that artistic fiction serves as an existential factor, and empirical facts emerge only in the cultural environment.
        Straipsnyje į kultūrą žvelgiama kaip į egzistencinę kūrybą. Gyvenamasis pasaulis traktuojamas kaip kūrybinė aplinka, kurią nuolat plečia kultūros dalyvis. Iškeliama didžioji tezė, kad kultūros pasaulis yra judri visuma, kur plėtojama egzistencinė kūryba. Egzistencija, pasak autoriaus, skleidžiasi kultūros aplinkoje, kuri išlieka judri tik kaip egzistencinių projektų sąlytis. Iš didžiosios plaukianti mažoji tezė -- apie kultūros reiškinių tikrumą (autentiškumą): tik nuolat besiplečianti, t. y. atvira ir nukreipta, gyvenimo visuma yra autentiška arba kultūriškai gyvybinga. Šią tezę autorius argumentuoja tuo, kad meninė išmonė tarnauja kaip egzistencinis veiksnys, o empiriniai faktai iškyla kultūros aplinkoje.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: Lithuanian
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