Singing Spaces: Fractal Geometries in Cole Swensen's "Oh."

Cole Swensen's homage to opera, "Oh," opens with the word scale; this essay examines how scale figures in the thinking about art performed by the volume. The minimalism of "Oh" refigures the extravagant grandeur of opera, as part of Swensen's rethinking of scale. Swensen uses the lens of fractal geo...

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Detalles Bibliográficos

Publicado en:	Journal of Modern Literature Vol. 31; no. 1; pp. 136 - 161
Autor principal:	Keller, Lynn
Formato:	Essay
Publicado:	Indiana University Press Fall2007
Materias:	Oh (Music) Opera Fractals Swensen, Cole Drama Dramatic music Dimension theory (Topology) 20th century (Literary period)
Acceso en línea:	Ver este registro en EBSCOhost