Bildzensur : Löschung technischer Bilder
Technical censorship of pictures is omnipresent and invisible at the same time. Content moderation on social media and automatic deletions by algorithms have given rise to a new union of human and non-human protagonists. While traditional institutions of censorship regulated the impact of dangerous...
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| Formato: | Libro |
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De Gruyter
2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=2944877&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 2944877 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: Bildzensur : Löschung technischer Bilder aug: au: Katja Müller-Helle sertl: Bildwelten des Wissens isbn: 9783110709995 9783110715293 imageinfo: pubinfo: dt: @attributes: year: 2020 month: 01 day: 01 dtAvail: @attributes: year: 2021 month: 10 day: 11 vid: 00016 pub: De Gruyter pubContract: De Gruyter place: Berlin price: 0.01 limitsGroup: maxCheckoutDays: 1500 pda: N printPagesOffline: 100 printPagesOnline: 100 previewPages: 10000 prePubGroup: dewey: @attributes: class: 363.31 item: 363 .31 lc: @attributes: class: P96.C4 item: P 96 .C4 artinfo: ui: 2944877 1226680290 formats: fmt: @attributes: type: EB doid: NL$2944877$PDF caption: PDF download: Y tig: atl: Bildzensur : Löschung technischer Bilder ptl: Bildzensur aug: au: Katja Müller-Helle su: Pictures--Censorship Internet--Censorship Censorship--Social aspects sug: subj: ART / General ART / History / General ART / Art & Politics HISTORY / General SCIENCE / General SOCIAL SCIENCE / Media Studies Pictures--Censorship Internet--Censorship Censorship--Social aspects ab: Technical censorship of pictures is omnipresent and invisible at the same time. Content moderation on social media and automatic deletions by algorithms have given rise to a new union of human and non-human protagonists. While traditional institutions of censorship regulated the impact of dangerous pictures based on legal and religious norms, automated mechanisms controlled by international corporations do so today. In the public sphere of technical pictorial worlds, upload filters, content moderation, or deepfakes have replaced markers of the visibility of deletion such as censor bars or pixilation. In this experimental phase of the modern digital age, what pictures circulate in the flow of data is once again being negotiated anew in technical, social, legal, and picture-theory terms. pubtype: eBook doctype: Book ougenre: Book language: German copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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