Portraits of Automated Facial Recognition : On Machinic Ways of Seeing the Face
Automated facial recognition algorithms are increasingly intervening in society. This book offers a unique analysis of these algorithms from a critical visual culture studies perspective. The first part of this study examines the example of an early facial recognition algorithm called »eigenface« an...
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2019
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| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=2962270&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 2962270 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: Portraits of Automated Facial Recognition : On Machinic Ways of Seeing the Face aug: au: Lila Lee-Morrison sertl: Image isbn: 9783837648461 9783839448465 imageinfo: pubinfo: dt: @attributes: year: 2019 month: 01 day: 01 dtAvail: @attributes: year: 2021 month: 10 day: 11 vid: 00162 pub: transcript pubContract: Transcript Verlag place: Bielefeld price: 0.01 limitsGroup: maxCheckoutDays: 1500 pda: N printPagesOffline: 100 printPagesOnline: 100 previewPages: 10000 prePubGroup: dewey: @attributes: class: 006.37 item: 006 .37 lc: @attributes: class: TA1653 item: TA 1653 artinfo: ui: 2962270 1135569948 formats: fmt: @attributes: type: EB doid: NL$2962270$PDF caption: PDF download: Y tig: atl: Portraits of Automated Facial Recognition : On Machinic Ways of Seeing the Face ptl: Portraits of Automated Facial Recognition aug: au: Lila Lee-Morrison su: Communication. Mass media Mass media Human face recognition (Computer science) Face perception Portraits sug: subj: SOCIAL SCIENCE / Media Studies Communication. Mass media Mass media Human face recognition (Computer science) Face perception Portraits ab: Automated facial recognition algorithms are increasingly intervening in society. This book offers a unique analysis of these algorithms from a critical visual culture studies perspective. The first part of this study examines the example of an early facial recognition algorithm called »eigenface« and traces a history of the merging of statistics and vision. The second part addresses contemporary artistic engagements with facial recognition technology in the work of Thomas Ruff, Zach Blas, and Trevor Paglen. This book argues that we must take a closer look at the technology of automated facial recognition and claims that its forms of representation are embedded with visual politics. Even more significantly, this technology is redefining what it means to see and be seen in the contemporary world. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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