Class, culture, and the trouble with white skin in Hawthorne's The House of Seven Gables.
Focuses on the class, culture and racial undertones in `The House of Seven Gables,' by Nathaniel Hawthorne. Ambivalence of Hawthorne towards the lower class; Utilization of racial tropes in class distinction; Reflection of the failure of upper-class whiteness in the paleness of Judge Pyncheon; Reso...
| Published in: | Yale Journal of Criticism Vol. 12; no. 2; pp. 249 - 269 |
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| Format: | Article |
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Johns Hopkins University Press
Fall99
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| Online Access: | View this record in EBSCOhost |
| Summary: | Focuses on the class, culture and racial undertones in `The House of Seven Gables,' by Nathaniel Hawthorne. Ambivalence of Hawthorne towards the lower class; Utilization of racial tropes in class distinction; Reflection of the failure of upper-class whiteness in the paleness of Judge Pyncheon; Resolution of class differences in the marriage of Holgrave into the Pyncheon family. |
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