3-minute improvisation for vocalist and sound collage.
The article discusses the improvisatory work for vocalist and sound collage. It mentions that the 3-minute improvisatory work pursues a specific engagement with language where the lyrics are generated and assembled into verse live before an audience at the very beginning of the performance. The text...
| Publicado en: | Capilano Review Vol. 3; no. 4; pp. 35 - 37 |
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| Formato: | Artículo |
| Publicado: |
Capilano Review
Winter2008
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=31759646&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 31759646 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03153754 UJO jtl: Capilano Review issn: 03153754 maglogo: N pubinfo: dt: Winter2008 vid: 3 iid: 4 pid: 19328 pub: Capilano Review artinfo: ui: 31759646 ppf: 35 ppct: 2 formats: tig: atl: 3-minute improvisation for vocalist and sound collage. aug: su: Computer sound processing Computer composition Computer music Computer software Music & technology sug: subj: Computer sound processing Computer composition Computer music Computer software Music & technology ab: The article discusses the improvisatory work for vocalist and sound collage. It mentions that the 3-minute improvisatory work pursues a specific engagement with language where the lyrics are generated and assembled into verse live before an audience at the very beginning of the performance. The text of the work are based upon a software program able to analyze a source text semantically according to common word associations. pubtype: Periodical doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2008 holdings: @attributes: islocal: N |
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