The Human Body in Spanish Renaissance and Baroque Poetry: Testing Laín Entralgo's Theories.

A chapter from the book "Studies in Honor of Elias Rivers" is presented. The chapter examines the relation of the theories on somatology by humanist Pedro Laín Entralgo with depiction of the human body in Spanish Renaissance and Baroque poetry. It notes that during the Renaissance, the human body wa...

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Detalles Bibliográficos
Publicado en:Studies In Honor of Elias Rivers pp. 137 - 152
Autor principal: Orringer, Nelson R.
Formato: Capítulo de libro
Publicado: Digitalia Publishing Corp. 1989
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: Orringer, Nelson R.
        affil: University of Connecticut
      su:
        Physical anthropology
        Lain Entralgo, Pedro
        Human body in literature
        Renaissance poetry
        Baroque literature
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          Physical anthropology
          Lain Entralgo, Pedro
          Human body in literature
          Renaissance poetry
          Baroque literature
      ab: A chapter from the book "Studies in Honor of Elias Rivers" is presented. The chapter examines the relation of the theories on somatology by humanist Pedro Laín Entralgo with depiction of the human body in Spanish Renaissance and Baroque poetry. It notes that during the Renaissance, the human body was regarded as a static edifice or statue while during the Baroque, the human statue was seen as an elegant machine or organism in movement. It applies the theories to poetry of Garcilaso de la Vega and Francisco de Aldana.
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      src: R
    language: English
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