Chapter III: La Force du sang: 3. Criticism of La Force du sang.

Section 3 of chapter 3 of the book "Cervantes, Hardy & La Fuerza De La Sangre" is presented. It presents a criticism of the tragicomedy "La Force du sang." It compares the work of dramatist Alexandre Hardy with those of his predecessors including Jodelle and Garnier, and Pierre Corneille. According...

Descripción completa

Detalles Bibliográficos
Publicado en:Cervantes, Hardy & La Fuerza de la Sangre pp. 31 - 36
Formato: Capítulo de libro
Publicado: Digitalia Publishing Corp. 1985
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=32083714&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 32083714
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
      isbn: 9780916379131
    jinfo:
      jid: 52SM
      jtl: Cervantes, Hardy & La Fuerza de la Sangre
      maglogo: N
    pubinfo:
      dt: 1985
      pid: 39253
      pub: Digitalia Publishing Corp.
    artinfo:
      ui: 32083714
      ppf: 31
      ppct: 5
      formats:
      tig:
        atl: Chapter III: La Force du sang: 3. Criticism of La Force du sang.
      aug:
      su:
        Cervantes, Hardy & La Fuerza De La Sangre (Book)
        Criticism
        La Force du sang (Book)
        Tragicomedy
        Hardy, Alexandre, ca. 1572-1632
        Corneille, Pierre, 1606-1684
      sug:
        subj:
          Cervantes, Hardy & La Fuerza De La Sangre (Book)
          Criticism
          La Force du sang (Book)
          Tragicomedy
          Hardy, Alexandre, ca. 1572-1632
          Corneille, Pierre, 1606-1684
      ab: Section 3 of chapter 3 of the book "Cervantes, Hardy & La Fuerza De La Sangre" is presented. It presents a criticism of the tragicomedy "La Force du sang." It compares the work of dramatist Alexandre Hardy with those of his predecessors including Jodelle and Garnier, and Pierre Corneille. According to Fontenelle, the "Mélite" of Pierre is divine in comparison with Hardy's theatrical movements.
      pubtype: Book
      doctype: Book Chapter
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      dt:
        @attributes:
          year: 1985
    holdings:
      @attributes:
        islocal: N