Samuel Beckett: Less. Ever Less: Section A: A Celebration of Diminution.
The article examines the reductions in the plays "Waiting for Godot" and "What Where," by Irish author Samuel Beckett. It analyzes the ways in which the author stripped these works of many of the formal and structural elements related with traditional drama. It also reveals Beckett's reasons for doi...
| Publicado en: | Reductionism in Drama & the Theater: The Case of Samuel Beckett pp. 69 - 187 |
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| Formato: | Artículo |
| Publicado: |
Digitalia Publishing Corp.
1992
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=32083893&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 32083893 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: isbn: 9780916379988 jinfo: jid: 52W2 jtl: Reductionism in Drama & the Theater: The Case of Samuel Beckett maglogo: N pubinfo: dt: 1992 pid: 39253 pub: Digitalia Publishing Corp. artinfo: ui: 32083893 ppf: 69 ppct: 118 formats: tig: atl: Samuel Beckett: Less. Ever Less: Section A: A Celebration of Diminution. aug: su: Reductionism Drama Literature Beckett, Samuel, 1906-1989 Theater sug: subj: Reductionism Drama Literature Beckett, Samuel, 1906-1989 Theater ab: The article examines the reductions in the plays "Waiting for Godot" and "What Where," by Irish author Samuel Beckett. It analyzes the ways in which the author stripped these works of many of the formal and structural elements related with traditional drama. It also reveals Beckett's reasons for doing so and examines the implications of such procedure for the appreciation of his works. pubtype: Book doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 1992 holdings: @attributes: islocal: N |
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