CHAPTER II: A MEXICAN BILDUNGSROMAN: LAS BUENAS CONCIENCIAS.

A literary criticism of the book "Las buenas conciencias," by Carlos Fuentes is presented. It asserts that in the novel, there is a contrast between the efforts made by the characters to construct an independent identity and repressive forces that thwart those attempts. It finds a predominance of th...

Descripción completa

Detalles Bibliográficos
Publicado en:Lifting The Obsidian Mask: The Artistic Vision of Carlos Fuentes pp. 27 - 48
Autor principal: Gyurko, Lanin A.
Formato: Literary Criticism
Publicado: Digitalia Publishing Corp. 2007
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=32084092&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 32084092
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
      isbn: 9781882528486
    jinfo:
      jid: 55HX
      jtl: Lifting The Obsidian Mask: The Artistic Vision of Carlos Fuentes
      maglogo: N
    pubinfo:
      dt: 2007
      pid: 39253
      pub: Digitalia Publishing Corp.
    artinfo:
      ui: 32084092
      ppf: 27
      ppct: 21
      formats:
      tig:
        atl: CHAPTER II: A MEXICAN BILDUNGSROMAN: LAS BUENAS CONCIENCIAS.
      aug:
        au: Gyurko, Lanin A.
      su:
        Criticism
        Las buenas conciencias (Book)
        Fuentes, Carlos, 1928-2012
        Group identity
        Identity (Psychology)
      sug:
        subj:
          Criticism
          Las buenas conciencias (Book)
          Fuentes, Carlos, 1928-2012
          Group identity
          Identity (Psychology)
      ab: A literary criticism of the book "Las buenas conciencias," by Carlos Fuentes is presented. It asserts that in the novel, there is a contrast between the efforts made by the characters to construct an independent identity and repressive forces that thwart those attempts. It finds a predominance of the past over the present, the family over the individual, and the inanimate and abstract over the human. An overview of the story is given.
      pubtype: Book
      doctype: Literary Criticism
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      dt:
        @attributes:
          year: 2007
    holdings:
      @attributes:
        islocal: N